I’m more than a little skeptical of broad generation-based generalizations, but this explanation of the increasing importance of handmade craft in our lives is pretty interesting:
It’s part of the American way to get a lot of self-worth from your job. Meanwhile, one of the reasons there aren’t enough of those jobs out there is that America no longer makes enough stuff. Young people feel that void, intrinsically. Making stuff is what got us smiles from our parents and top billing in refrigerator art galleries. And since we are, as a generation, more addicted to positive reinforcement than any before us, and because we have learned firsthand the futility of finding that affirmation through our employers, we have returned to our stuff-making ways, via pursuits easily mocked: the modern-day pickling, the obsessive Etsying, the flower-arranging classes, the knitting resurgence, the Kickstarter funds for art projects of no potential commercial value. The millions upon millions who upload footage of themselves singing or dancing or talking about the news to YouTube. Of course, funny videos and adorable hand-sewn ikat pillows aren’t the only kind of stuff that people are making as a way of coping with harsh economic realities—meth, for instance, comes to mind. But putting aside those darker enterprises, this is a golden age for creativity and knowledge for their own sakes. Our pastimes have become our expressions of mastery, a substitute for the all-consuming career.
Read the full article from New York.